Octave fuzz vst2/28/2024 ![]() With the Depth Control turned all of the way down/off you are in the Wah Mode. It is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. The “Harmonic Wah” section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe. It’s fuzz with tonal control like you’ve never had before! Perfect for matching any size of power amp with the pedal’s fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz! Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation. This allows you to get a very chorus-like effect with ample high-end detail when simulating a “Les Rotary” style cabinet. It does not produce an octave effect here. The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds. Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal. Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. The “Les Rotary” sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding. You can add the Octave to the “Kool Vibe” for an amazing doubling effect or for an incredibly deep synth bass type sound. Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. The “Kool Vibe” setting is perfect for getting complex phaser-like sounds. The Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound. Again, if you do not want an octave effect added, simply set the Octave Control to the center position. As you turn the Octave Control down, you have an increasing amount of octave down sound added. ![]() If you turn the Octave Control up (or clockwise), you have an increasing octave up sound. In the Center Position of the Octave Control you have NO octave up or down. With those two sounds you can either have Octave Up, Octave Down, or No Octave. The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds. The modulation channel is where the fun really starts. These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone. At the heart of the fuzz are vintage Fairchild Semiconductor transistors. It plays well in any position on a Strat or Les Paul style guitar. The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. The right stomp switch activates the fuzz channel. There are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds. The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists. The Monterey is a surrealistic envelope of neo-vintage effects. Monophonic signals are therefore preferred.With the Keeley Monterey Workstation you take one step back in time and two steps forward. My advice is to roll off the tone (low pass) of any signal fed into these, as they need a strong fundamental to produce more musical tones. I'm re-evaluating Thor all the time!Īs far as octave up, an absolute/rectifying function in a waveshaper (Thor has one) is perfect if one is after the Foxx Tone or Fuzz Face sound. Wow, very very interesting! I was in the process of answering that as far as I remember the classic Boss octave down effect used a frequency divider method, and didn't think it was anywhere available in Reason. ![]() It's called "Sub Harmonic Generator" and it's in (for some reason) Multi FX. Selig wrote:I created a factory patch based on classic octave dividing concepts (flip flops). ![]()
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